Excellent modern poetry by Jean Arno? Born in Paris, raised in Bordeaux and Nice, South of France, Jean Arno’s poetry is influenced by French classicism and ancient Greek philosophy. Growing up in the house of renowned professors, since young age Jean was surrounded by the greatest figures in the world’s literature. Jean has studied philosophy and literature in Stanford University, which allowed him to develop his own style over a decade. With this new poetry book, Trophies, he is bringing back a sophisticated style and depth of the thought in form of short aphorisms. Jean is also producing digital art and philosophical pieces which complements his portfolio. Read extra info at Jean Arno poetry.
Everything that prevents the affirmation of the highest life and diminishes the power of being is criticized with passionate ardour: the temptation of fame and glory; the escape into entertainment and artificial paradises; the resignation and capitulation of thought in the face of today’s immense problems; the standardization of the spirit in the paradigm of common judgment; the passivity or the boredom-murderer who justifies the existence of reality TV, for example: “Crowds sate their hunger / Like hyenas seek revenge / On the torments and the terror / On the tears and blood of men”.
The Metaverse and NFTs are changing the face of art. Art had already been digitized with the development of certain technologies and applications like “Procreate” or “Tilt Brush” and the growing influence of artists like Jean Arno, Karol Kolodinski, Pete Harrison, Anna Zhilyaeva, David Waters, Mike Winkelmann, and Heiko Klug. What at first appeared to be only a trend is about to change art itself. The idea of “Chaosism,” a new artistic concept developed by Jean Arno and the Astrée collective and defined as “the embodiment of the complexity of life in the unity of art” could only be translated into reality through an advanced technology capable of multiplying the significant layers: digital art and the Metaverse.
Trophies is a collection of poems intertwined with hidden messages where you will question the world, life, existence and yourself through an awakened intellectual experience. The book of poems is the latest work by French poet, philosophy and artist Jean Arno. Arno is an influential artist from the artistic group, Astrée and he’s known for his poetry, digital art and philosophical aphorisms. The poetic aphorisms in Trophies are short statements of eternal truths. While reading the book, you’re forced to use intellect to reconstruct a line of reasoning to interpret hidden meaning in Arno’s work. When readers unfold the purpose of these hidden thoughts, they’re left with the feeling of being enriched.
Why did you choose poetry? I have written in other genres under different pseudonyms, but I’ve often said that poetry is the supreme art. The magnetic forces of the images mix with the raptures of a tamed music that compels the soul to sing more highly the drama of its depths. Through poetry, senses and thought are sharpened, and the worlds they covet and desire to conquer are hollowed out. This fact is essential — today’s world is devoured by the god “Useful,” with its superficial and usurped splendors, and poetry appears to be the only remedy. Its invincible light pierces the darkness of the ineffable and conquers the sacred fire to set existence ablaze. Poetry animates life, in the Latin sense. That is to say, it endows it with soul and freshens it with a pneuma, a nourishing and fertile breath. See more info on Jean Arno.
The poet, like Nietzsche, reminds us of an obvious fact that we should never have forgotten: human beings reach their highest freedom as creators. However, we have moved away from this path because it requires qualities that are difficult master. High creation requires us not to succumb to the temptations of our time — the temptations that lead artists and intellectuals to produce only works that conform to a determined horizon of expectation, which are often uniform and superficial. The mind that wishes to produce exceptional thoughts must necessarily make an effort to “[persevere] in being” to use Spinoza’s words, or to overcome itself in creation. Readers must gather all their intellectual forces to reconstitute the reasoning contained in the final and triumphant poetic formula. Arno delivers these explanations of his poetic art in unpublished and hidden texts. In the manner of Leonardo da Vinci, the poet hides codes in his texts that lead to “sacred relics.”