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Setting up a master file to control the final grade for an entire project minimises time spend testing renders: a trick Red Cartel used on its animated short, Lighthouse: Most large animation projects require you to keep track of many individual shots and grade them consistently at the end. You can use the Blender sequencer and compositor to do this. First, start an empty .blend file. This will be your master file. Link in every scene you need from the individual .blend shot files and place them in order along the timeline of the sequencer in the master file. (This helps the editor, since the Blender sequencer produces an OpenGL version of each scene, making it easy to see the latest work from each scene in real time.) You can now set the look and feel for each section of the animation. Select a group of shots that must have the same visual properties, and group those nodes together inside the master file, calling the group ‘Master Comp’ or something suitably witty. Go to each of the original individual shot files and link back to the Master Comp group.
Like all 3d software, Blender is pretty complex and has thousands of features. No matter how long you’ve been using it, from time to time you’ll always find a new tool, shortcut or little trick that you didn’t know existed. I’ve been collecting that kind of tips for the last two years and posting them on my Instagram account Blender Daily. Here is a collection with 10 of my favourites. A really cool thing about Blender is, that it is constantly being updated. There’s a new version coming out four times a year with exciting new features and improvements. As awesome as this is, it also means that you always have to download new versions to stay up to date. But did you know, that this process can be automated? Install Blender from Steam or via the Microsoft Store and you’ll always get the newest version without having to manually reinstall. Another cool advantage of using Blender with Steam is the possibility to track the amount of hours you spend using Blender.
Edge loops are incredible lifesavers for the same reasons above. They also make working with your model intelligently and efficiently really easy. Instead of grabbing an entire loop of faces one by one, you can select them all simultaneously and modify them together. To select all the vertices, edges, or faces in a mesh loop, click on any member of the family while holding Alt. It’s really easy to use the Knife tool to trace over a reference image or even another mesh or curve. For extremely complex patterns or anything else that you’d like to bring to life, however, the Knife Project tool can do some of the heavy lifting for you. To use Knife Project, you’ll need two things: your target mesh, and a mesh of the pattern, shape, text, or design that you would like to project onto it. This has to be a mesh, not just an image—you can import an SVG file into Blender and convert it to a mesh with the SVG Importer add-on enabled, however.
Proportional Edit can be set to many different Falloff types (shown by a rollout near the blue circle Proportional Edit button). Selecting Random will cause random translation, rotation and scaling of objects within the soft-selection region – useful for ‘messing up’ a scene to make it feel more organic. Since this trick works across all visible scene layers, put any objects that you don’t want to affect into a separate layer, then simply turn that layer off. To render, go to the machine you want to render from and set up your client by switching to Network Render and choosing Client from Network Settings. If you click the refresh button, the client should automatically find the master node. Find even more info on https://3darts.org/.